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Month: March 2018

Sleeping with the enemy…

It may seem an odd title for a post regarding the Russian poisoning of Sergei Skripal in Salisbury but bear with me, as I’m hoping it will make sense.

I, like many of my generation, have struggled to understand the rising popularity of Jeremy Corbyn as a future leader of the United Kingdom. However, I have no axe to grind with those who support him as I believe that the individual votes for the candidate that they believe represents their views and positions the best. And it would be nothing short of arrogant of me to shout them down by implying that I am fully cognisant of their entire personal circumstances.

As I say though, I am pretty sure that it is a generational issue. I am of an age when I remember Corbyn’s unflinching support for the IRA, attending terrorist’s funerals and standing shoulder to shoulder with the very people who were bombing London, Manchester, Warrington and other UK cities and killing innocents as they went about their daily lives. I remember well his support for communist and left-wing regimes that sanctioned and conducted state-sponsored murder and executions of any opposition, real or imagined. Jeremy Corbyn seemed, to me at least, to hate the UK so much that he would leap at the first opportunity to embrace any cause that ran contrary to our national interests.

But that was all happening as I was growing up. Corbyn’s bedrock of support is sustained in no small part by the younger demographic. And the younger demographic will always seek to go against the trends and values of their previous generation as they always have. This is human nature and something we do almost without thinking. More significantly though is the fact that the younger generation who are championing Corbyn et al, grew to maturity in a very different time than people of my age.

Consider it for a moment: They grew up when the IRA were on a ceasefire and had signed up to the Good Friday Agreement. Not for them the daily grind of grim news reports of sectarian murders and bombs on British streets. They grew up after the Berlin Wall had been torn down. No sitting open-mouthed in front of the television watching as a couple were mown down by machine gun fire as they ran the gauntlet of razor-wire entanglements to reach the West. Yes, we have the dread of Islamic fundamentalist attacks as a feature in today’s society but these are franchised actions with amorphous links and relations to an ideology rather than an actual physical entity.

In short, they grew up without their country experiencing a definitive threat. They grew up without any exposure to an actual enemy. Because that is what both Russia and the IRA were to the UK; our enemies. That word sounds almost anachronistic even as I write it. A term discarded long ago as we seek to convince ourselves that in our new enlightened age there can be no such thing as enemies, that somehow any conflict or aggression can be solved with dialogue and political detente.

Which is great if the whole world follows this ethos. But of course, they don’t. But what they do, is exploit the good intentions and soft-skills approach to their own advantage. Russia has used our 16-year distraction in Afghanistan to develop and hone their asymmetric conflict tactics to great effect. Their mastery of information operations to subvert and sabotage smaller states and countries is actually well-ahead of most nations. We just need to look at Georgia and the Ukraine as past examples and the Baltic states as current ones where the Bear’s malign influence is being wielded.

And now we have the Labour leader in the UK categorically refusing to support the call for punitive measures against the country that has, to all intents and purposes, committed an act in contravention to NATO Article 5; a state-sanctioned, armed attack on a member country. By Friday, he softened his tone somewhat by declaring that he was willing to accept the possibility that ‘McMafia’ type criminals may have been responsible. What is encouraging is the way his own backbenchers have distanced themselves from him and are openly giving their support to the PM in defiance of their leader’s directive.

Yet still, we have a significant amount of people who, like Jeremy Corbyn, are pushing out the narrative that this was nothing to do with the Russians and even worse, that our own intelligence agencies carried out the attack in order to whip up national fervour and support for…well, your guess is as good as mine.

But here’s the point; Russian info-ops count heavily on the acceptance and support for their narratives and the subsequent spread on social media. And those who, like Corbyn, utterly reject the facts in favour of half-baked conspiracy theories, are assisting the Russians. Jeremy Corbyn’s pantomime performances in Parliament over this issue are edited and re-broadcast in Russia where the population there is led to believe that he is the last bastion of truth in a corrupt and feeble UK government. And the message to the people is clear; the Russian government had nothing to do with this attack and even the UK’s most popular politician is saying this.

Vladimir Putin just won another election term based on no small part on his strong stance on the international stage. The Kremlin’s aggressive foreign policies distract from the everyday suffering of ordinary Russians under Putin’s leadership and the narrative very cleverly controlled by the state media outlets. There is no independent outlet to counter these messages or broadcast the truth. Instead they take well-edited snippets from people like Jeremy Corbyn and mesh these with their domestic reports to create the illusion of international suspicion that the UK carried out these attacks.

Even now, the UK has deployed thousands of Service personnel to the Baltic states to provide a show of force and a deterrent to Russia’s recent aggression. And the reports are already coming back of Russian info ops setting up off-duty soldiers in PR coups and stings that are then reported as criminal acts against the Russian populations within Latvia, Lithuania and Estonia. Russia had almost succeeded in portraying Latvia as a failed state, just as they had achieved with the Crimea. Their next phase was obviously a physical invasion of the small country disguised as a ‘defence intervention’ on behalf of persecuted Russian communities in Latvia. Our deployment alongside that of our allies has, if nothing else, put the brakes on the momentum for this invasion if nothing else. But for how long is really anybody’s guess at this stage.

So when I read of people, especially those who should know better, repeating the Russian narrative, I get pretty annoyed. They are falling for the political equivalent of the ‘Nigerian Millionaire-Prince Scam’. But the impact here is far greater than that of an idiot being relieved of some cash. It is assisting a hostile foreign power who are murdering people in our own country to get away with it.

I’m not advocating that we should never challenge our government or our Security and Intelligence Services. I actually believe that questioning and challenging are healthy accountability processes that encourages these agencies to be as transparent and compliant as possible. But there is a giant difference between questioning and challenging and championing the Russian narrative. And those who do this are sleeping; keeping their eyes and minds closed to facts and reality. Sleeping through scientific reports that name and date the source of the poison. Sleeping through the very strange deaths of other individuals who have escaped their Russian masters. Sleeping through the ill-concealed pride and glee that the Kremlin is reacting to the poisoning of Sergei Skripal and his daughter with.

But they are not just sleeping, as their actions have impact beyond themselves. Their sleeping through fact and reason gives strength to the Russian cause. To the enemy cause. 

Sleeping with the enemy.

 

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Ten Songs of War and Conflict…

For anyone who has spent anytime in the service of their country, particularly in conflict zones, there will usually be specific songs or music that recall the experience or relate to it. When I was younger and began looking at joining up in a more serious light, I began watching the popular war movies of the day.

Generally speaking, I’d seen most of the WW2 classics that my father had been fond of when I was a kid, but very few of these had songs or memorable music. For me, it was the profusion of Vietnam films that first provided war and conflict with a soundtrack. Particularly when I was at the age where I was preparing to sign on the dotted line and had a renewed interest in all things military.

On the eve of heading down to Lympstone to attend the Potential Recruit’s Course, my friend and I watched Full Metal Jacket. I still rate it as a superb piece of work but taking the cinematic accomplishments aside, it was also one of the first war movies where I really paid attention to the music. I noticed that the music that accompanied the scenes added something different compared to other movies I’d seen. Nancy Sinatra’s ‘These boots are made for walking’ played over the scene of a Vietnamese prostitute approaching the soldiers as they are robbed by locals on a moped. Or The Trashmen’s ‘Surfin’ Bird’, played on a radio in the background and then as part of the soundtrack proper as the platoon are interviewed as they are deploying to Phu Bai.

The next major movie of note that I would have to say really utilised a soundtrack to augment the film was the classic Platoon, the big screen adaptation of Oliver North’s account of his experiences as a young grunt thrown into the chaos of an ill-understood war fought by a largely conscripted army. The music used in Platoon was, in my opinion, the first time the significance of the soundtrack in augmenting a war movie was really put into effect. From Smokey Robinson’s ‘Tracks of my tears’ to the haunting ‘Adagio for strings’ that accompanies the scene where Sgt Elias is killed, the music was clearly well-thought out.

So, to that end, here are 10 songs relating to war and conflict that, over the years, I find myself being drawn back to again and again for either their impact or the memories that they invoke.

Copperhead Road by Steve Earle

I really can’t remember where I first heard this but it is a real favourite for me. Earle’s growling vocals and the mandolin riff that morphs into the signature blues-rock narrating the tale of a redneck boy and his journey from white trash to Vietnam vet to drug smuggler.

‘…now the DEA’s got a chopper in the air, I wake up screaming like I’m back over there,

I learned a thing or two from Charlie don’t you know, you better stay away from Copperhead Road…

https://www.youtube.com/watch?v=xvaEJzoaYZk

 

Soldier by Harvey Andrews (sometimes called A British Soldier)

Based upon the heroic actions of Sgt Willets of 3 Para in Northern Ireland in 1971, the folk-singer Harvey Andrews was so moved by Willets’ selfless bravery that he felt compelled to write a song that told the story of the soldier. The song is well-known by service personnel and held in high regard for both its poignancy and the rarity of recognition for the conditions that the forces endured during the Northern Ireland conflict.

‘…then came the call to Ireland as the call had come before, Another bloody chapter in an endless civil war,

the soldiers stood between them, between the whistling stones, and then the broken bottles that led to broken bones..’

https://www.youtube.com/watch?v=wKZQyv6X4JI

 

Khe Sanh by Cold Chisel

Almost something of an unofficial Australian anthem this is another cracker of a tune that grabs you right from the first line. The legacy of the Vietnam war on the veteran and his problems in coping with life on his return are laid bare through the gruff vocals and brilliant piano/guitar accompaniment.

‘…I left my heart to the sappers round Khe Sanh, And my soul was sold with my cigarettes to the black market man,

I’ve had Vietnam cold turkey, from the ocean to the silver city, and it’s only other vets could understand…  

https://www.youtube.com/watch?v=dTjvG4WJD_A

 

Travelling Soldier by The Dixie Chicks

At the height of their popularity, The Dixie Chicks made a very public statement attacking the decision of the Bush administration to take their country to war again with Iraq. Their music was immediately boycotted by many radio stations in the US and with several major retail chains refusing to stock their music, their career tanked badly. From multi-million sales to a slack handful over the course of a year. They always insisted that they fully supported the US Military but took issue with the government’s foreign policy decision. They wrote Travelling Soldier as a rebuttal to the boycott and as a demonstration of their commitment to the US Armed Forces.

‘…so the letters came from an Army camp, in California then Vietnam, and he told her of his heart, it might be love and all of the things he was so scared of…

he said when it’s getting kind of rough over here, I think of that day sitting down at the pier, and I close my eyes and see your pretty smile, don’t worry but I won’t be able to write for a while…

https://www.youtube.com/watch?v=AbfgxznPmZM

 

When the Tigers broke free by Pink Floyd

An unusual one, but then nothing that Pink Floyd produced was ever going to be pedestrian. Roger Waters penned the song in commemoration of his father, Eric Fletcher Waters who was killed during the battle of Anzio in 1944. The song is a short but intense piece made all the more atmospheric by martial score and the backing vocals of choir.

‘…there was frost in the ground when the tigers broke free and no one survived
from the Royal Fusiliers Company Z,
they were all left behind most of them dead the rest of them dying, and that’s how the High Command took my daddy from me…’
I was only 19 by Redgum
Another one from Australia and again, another classic. Redgum’s John Schumann wrote the song based on experiences he heard from his brother in-law and other veterans. Originally going to be called ‘A Walk in the Light Green’, a reference to operational patrols in areas marked light green on topographical maps. Where dark green indicated thick jungle, plenty of cover and few land mines, light green indicated thinly wooded areas, little cover and a high likelihood of mines.
One common misconception is that the story in the song is that of a conscript, however the age of conscription at the time was 21 and the story being told is that of a volunteer.
‘…and Townsville lined the footpaths as we marched down to the quay, this clipping from the paper shows us young and strong and clean,
and there’s me in me slouch hat, with me SLR and greens, God help me, I was only nineteen…’
One by Metallica
An anti-war song by one of the world’s leading rock bands. It is the story of a WW1 veteran who is so severely wounded that he can only communicate through a strange system of morse code where he begs for the hospital staff to allow him to die.
Introduced by some beautiful guitar and an innovative video this is not easy listening by any measure. While a bleak and disturbing narrative, it is very highly regarded for its intensity and departure from the band’s traditional path.

‘…I can’t remember anything, can’t tell if this is true or dream, deep down inside I feel to scream, this terrible silence stops me,

Now that the war is through with me, I’m waking up, I cannot see that there’s not much left of me, nothing is real but pain now…’

Goodnight Saigon by Billy Joel
I like this song which was a really different project for Joel at the height of his popularity. It deals with the experience of US Marines in Vietnam and the poor treatment that they received on the home front. Interspersed with the vocal and the piano are the sounds that the Marines experienced, including crickets in the bush and armoured vehicles and helicopters. A beautiful, if poignant, testimony to the fighting men.
‘…We had no homefront, we had no soft soap, they sent us playboy, they gave us Bob Hope,
We dug in deep and shot on sight, and prayed to Jesus Christ with all of our might…’
And the band played Waltzing Matilda by The Pogues
This song was originally written and performed by the folk singer Eric Bogle, but for me, Shane McGowan absolutely nails it on The Pogues’ album ‘Rum, Sodomy and the Lash’. McGowan’s vocals give a rougher edge to the delivery that I believe adds to rather than detracts from the song.
The story is that of an Australian WW1 soldier fighting in Gallipoli, the wounds he receives and his subsequent return to his life in Australia. Unashamedly anti-war it still remains a very powerful song and one that I return to regularly for the impact of its lyrics.
‘…and the band played Waltzing Matilda, as we stopped to bury our slain,
We buried ours, and the Turks buried theirs, then it started all over again…’
Sergeant MacKenzie by Joseph Kilna MacKenzie
After the death of his wife, Joseph MacKenzie penned this song in memory of his great-grandfather Charles Stuart MacKenzie who was a Sergeant in the Seaforth Highlanders in WW1.
At 33 years old, Sgt MacKenzie was bayoneted to death while defending a wounded comrade during severe hand-to-hand fighting in the trenches. On a slightly spooky note, at the family home in the Elgin area of Scotland, a portrait of Sgt MacKenzie hung above the fireplace, as it had done for years. One day it fell from the spot, crashing to the floor. His mother stated that she believed it was a sign that her son had been killed. She was correct; several days later the official notification arrived informing her of her loss.
This tune is haunting and remains with you. It gained further fame when it was included on the soundtrack of the Mel Gibson movie ‘We were soldiers.’
 

 

 

 

 

 

 

 

 

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