For anyone who has spent anytime in the service of their country, particularly in conflict zones, there will usually be specific songs or music that recall the experience or relate to it. When I was younger and began looking at joining up in a more serious light, I began watching the popular war movies of the day.

Generally speaking, I’d seen most of the WW2 classics that my father had been fond of when I was a kid, but very few of these had songs or memorable music. For me, it was the profusion of Vietnam films that first provided war and conflict with a soundtrack. Particularly when I was at the age where I was preparing to sign on the dotted line and had a renewed interest in all things military.

On the eve of heading down to Lympstone to attend the Potential Recruit’s Course, my friend and I watched Full Metal Jacket. I still rate it as a superb piece of work but taking the cinematic accomplishments aside, it was also one of the first war movies where I really paid attention to the music. I noticed that the music that accompanied the scenes added something different compared to other movies I’d seen. Nancy Sinatra’s ‘These boots are made for walking’ played over the scene of a Vietnamese prostitute approaching the soldiers as they are robbed by locals on a moped. Or The Trashmen’s ‘Surfin’ Bird’, played on a radio in the background and then as part of the soundtrack proper as the platoon are interviewed as they are deploying to Phu Bai.

The next major movie of note that I would have to say really utilised a soundtrack to augment the film was the classic Platoon, the big screen adaptation of Oliver North’s account of his experiences as a young grunt thrown into the chaos of an ill-understood war fought by a largely conscripted army. The music used in Platoon was, in my opinion, the first time the significance of the soundtrack in augmenting a war movie was really put into effect. From Smokey Robinson’s ‘Tracks of my tears’ to the haunting ‘Adagio for strings’ that accompanies the scene where Sgt Elias is killed, the music was clearly well-thought out.

So, to that end, here are 10 songs relating to war and conflict that, over the years, I find myself being drawn back to again and again for either their impact or the memories that they invoke.

Copperhead Road by Steve Earle

I really can’t remember where I first heard this but it is a real favourite for me. Earle’s growling vocals and the mandolin riff that morphs into the signature blues-rock narrating the tale of a redneck boy and his journey from white trash to Vietnam vet to drug smuggler.

‘…now the DEA’s got a chopper in the air, I wake up screaming like I’m back over there,

I learned a thing or two from Charlie don’t you know, you better stay away from Copperhead Road…

https://www.youtube.com/watch?v=xvaEJzoaYZk

 

Soldier by Harvey Andrews (sometimes called A British Soldier)

Based upon the heroic actions of Sgt Willets of 3 Para in Northern Ireland in 1971, the folk-singer Harvey Andrews was so moved by Willets’ selfless bravery that he felt compelled to write a song that told the story of the soldier. The song is well-known by service personnel and held in high regard for both its poignancy and the rarity of recognition for the conditions that the forces endured during the Northern Ireland conflict.

‘…then came the call to Ireland as the call had come before, Another bloody chapter in an endless civil war,

the soldiers stood between them, between the whistling stones, and then the broken bottles that led to broken bones..’

https://www.youtube.com/watch?v=wKZQyv6X4JI

 

Khe Sanh by Cold Chisel

Almost something of an unofficial Australian anthem this is another cracker of a tune that grabs you right from the first line. The legacy of the Vietnam war on the veteran and his problems in coping with life on his return are laid bare through the gruff vocals and brilliant piano/guitar accompaniment.

‘…I left my heart to the sappers round Khe Sanh, And my soul was sold with my cigarettes to the black market man,

I’ve had Vietnam cold turkey, from the ocean to the silver city, and it’s only other vets could understand…  

https://www.youtube.com/watch?v=dTjvG4WJD_A

 

Travelling Soldier by The Dixie Chicks

At the height of their popularity, The Dixie Chicks made a very public statement attacking the decision of the Bush administration to take their country to war again with Iraq. Their music was immediately boycotted by many radio stations in the US and with several major retail chains refusing to stock their music, their career tanked badly. From multi-million sales to a slack handful over the course of a year. They always insisted that they fully supported the US Military but took issue with the government’s foreign policy decision. They wrote Travelling Soldier as a rebuttal to the boycott and as a demonstration of their commitment to the US Armed Forces.

‘…so the letters came from an Army camp, in California then Vietnam, and he told her of his heart, it might be love and all of the things he was so scared of…

he said when it’s getting kind of rough over here, I think of that day sitting down at the pier, and I close my eyes and see your pretty smile, don’t worry but I won’t be able to write for a while…

https://www.youtube.com/watch?v=AbfgxznPmZM

 

When the Tigers broke free by Pink Floyd

An unusual one, but then nothing that Pink Floyd produced was ever going to be pedestrian. Roger Waters penned the song in commemoration of his father, Eric Fletcher Waters who was killed during the battle of Anzio in 1944. The song is a short but intense piece made all the more atmospheric by martial score and the backing vocals of choir.

‘…there was frost in the ground when the tigers broke free and no one survived
from the Royal Fusiliers Company Z,
they were all left behind most of them dead the rest of them dying, and that’s how the High Command took my daddy from me…’
I was only 19 by Redgum
Another one from Australia and again, another classic. Redgum’s John Schumann wrote the song based on experiences he heard from his brother in-law and other veterans. Originally going to be called ‘A Walk in the Light Green’, a reference to operational patrols in areas marked light green on topographical maps. Where dark green indicated thick jungle, plenty of cover and few land mines, light green indicated thinly wooded areas, little cover and a high likelihood of mines.
One common misconception is that the story in the song is that of a conscript, however the age of conscription at the time was 21 and the story being told is that of a volunteer.
‘…and Townsville lined the footpaths as we marched down to the quay, this clipping from the paper shows us young and strong and clean,
and there’s me in me slouch hat, with me SLR and greens, God help me, I was only nineteen…’
One by Metallica
An anti-war song by one of the world’s leading rock bands. It is the story of a WW1 veteran who is so severely wounded that he can only communicate through a strange system of morse code where he begs for the hospital staff to allow him to die.
Introduced by some beautiful guitar and an innovative video this is not easy listening by any measure. While a bleak and disturbing narrative, it is very highly regarded for its intensity and departure from the band’s traditional path.

‘…I can’t remember anything, can’t tell if this is true or dream, deep down inside I feel to scream, this terrible silence stops me,

Now that the war is through with me, I’m waking up, I cannot see that there’s not much left of me, nothing is real but pain now…’

Goodnight Saigon by Billy Joel
I like this song which was a really different project for Joel at the height of his popularity. It deals with the experience of US Marines in Vietnam and the poor treatment that they received on the home front. Interspersed with the vocal and the piano are the sounds that the Marines experienced, including crickets in the bush and armoured vehicles and helicopters. A beautiful, if poignant, testimony to the fighting men.
‘…We had no homefront, we had no soft soap, they sent us playboy, they gave us Bob Hope,
We dug in deep and shot on sight, and prayed to Jesus Christ with all of our might…’
And the band played Waltzing Matilda by The Pogues
This song was originally written and performed by the folk singer Eric Bogle, but for me, Shane McGowan absolutely nails it on The Pogues’ album ‘Rum, Sodomy and the Lash’. McGowan’s vocals give a rougher edge to the delivery that I believe adds to rather than detracts from the song.
The story is that of an Australian WW1 soldier fighting in Gallipoli, the wounds he receives and his subsequent return to his life in Australia. Unashamedly anti-war it still remains a very powerful song and one that I return to regularly for the impact of its lyrics.
‘…and the band played Waltzing Matilda, as we stopped to bury our slain,
We buried ours, and the Turks buried theirs, then it started all over again…’
Sergeant MacKenzie by Joseph Kilna MacKenzie
After the death of his wife, Joseph MacKenzie penned this song in memory of his great-grandfather Charles Stuart MacKenzie who was a Sergeant in the Seaforth Highlanders in WW1.
At 33 years old, Sgt MacKenzie was bayoneted to death while defending a wounded comrade during severe hand-to-hand fighting in the trenches. On a slightly spooky note, at the family home in the Elgin area of Scotland, a portrait of Sgt MacKenzie hung above the fireplace, as it had done for years. One day it fell from the spot, crashing to the floor. His mother stated that she believed it was a sign that her son had been killed. She was correct; several days later the official notification arrived informing her of her loss.
This tune is haunting and remains with you. It gained further fame when it was included on the soundtrack of the Mel Gibson movie ‘We were soldiers.’
 

 

 

 

 

 

 

 

 

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